WYSASSS
2012-
When You See the Acrylic to See a Stone and a Stone
2012
Stone, Acrylic, Wood
When You See the Acrylic to See a Stone and a Stone
2012
Stone, Acrylic, Wood
When You See the Acrylic to See a Stone and a Stone
2012
Stone, Acrylic, Wood
When You See the Acrylic to See a Stone and a Stone
2012
Stone, Acrylic, Wood
When You See the Acrylic to See a Stone and a Stone
2012
Stone, Acrylic, Wood
When You See the Acrylic to See a Stone and a Stone #2
2016
Stone, Acrylic, Dimensions variable
When You See the Acrylic to See a Stone and a Stone #2
2016
Stone, Acrylic, Dimensions variable
When You See the Acrylic to See a Stone and a Stone #2
2016
Stone, Acrylic, Dimensions variable
When You See the Acrylic to See a Stone and a Stone #2
2016
Stone, Acrylic, Dimensions variable
When You See the Acrylic to See a Stone and a Stone #2
2016
Stone, Acrylic, Dimensions variable
When You See the Acrylic to See a Stone and a Stone #2
2016
Stone, Acrylic, Dimensions variable
When You See the Acrylic to See a Stone and a Stone #2
2016
Stone, Acrylic, Dimensions variable
WYSASSS
2017
58 pages, Soft cover, On-demand print, 21 × 19 cm
Design, Publication: DOOKS
WYSASSS
2018
58 pages, Soft cover, On-demand print, 21 × 19 cm
Design, Publication: DOOKS
Texts: Yuki Harada, Gottingham
Study for “scale model” (Left side of the installation view)
2018
Digital chromogenic transparency mounted on light box, Dimensions variable
WYSASSS scale #4
2018
Digital chromogenic transparency in artist’s frame, 91 × 91 × 8 cm
2018 WYSASSS ── curated by Gottingham, CAGE GALLERY, Tokyo
2017 WYSASSS, circle gallery, Tokyo
2017/2018 WYSASSS, DOOKS, Artist Book
“見ることが主題であるこの一連の作品群は、石の浮遊感を演出することで、写真表現のカタルシス「決定的瞬間」をあざ笑う。[…]この土俵では、様々な綱引きが勝敗のつかない「交換、横滑り」というかたちで行われている。まるでハーフパイプに似た土俵。それは長期プロジェクトのひとつの結実した形として、多義的にバージョンを変えて順次リリースされる。”
(Gottingham「ハーフパイプ──あるバージョンとしてのWYSASSS」『WYSASSS』)
”写真が最も「再現できない」のは被写体のスケール感である。[…]佐藤は、「ノンスケール」の作品を通して、そのように不断に大小するスケール感を「物資」として扱っている。[…]ノンスケールは決して「スケールを欠いた」ものではない。不断に大小する可塑的な「スケール感」そのものなのである。それは観念的な「物質」である。”
(原田裕規「物質としてスケール感を扱う方法」『WYSASSS』)
"actually, the work’s name speaks for itself. the acronym WYSASSS − as you well definitely not have guessed it − stands for when you see the acrylic to see a stone and a stone."
(sato takuma uses transparent acrylic to capture floating stones WYSASSS series, designboom)
WYSCSC
2017
WYSCSC
2017
Inkjet print on paper, Aluminum, Wood, 60 × 60 cm
WYSCSC
2017
Installation view
You Make a Journey for Exchanging a Mountain and a Mountain
2013
 
You Make a Journey for Exchanging a Mountain and a Mountain
2013
Stones, Tyvek, Wood, Paint, Dimensions variable
     
The Exchange Principle of Mountains
2013
Inkjet print on paper, 42 × 29.7 cm
About
Sato Takuma's research work focuses on the “alternative architecture possibility”. Selected projects include WYSASSS (2012-), the series of studies on the relationship between "seeing" and “image” in architecture.
Born 1989 in Miyagi, Japan
2011 B.E in Architecture, Tokyo University of Science
2013 M.Phil in Research and Work of Art, Yokohama National University
Selected Exhibitions
2018 WYSASSS ── curated by Gottingham, CAGE GALLERY, YEBIZO MEETS Partnership Program, Tokyo
2018 (Post)Archetype, Totodo, Tokyo
2017 WYSASSS, circle gallery, Tokyo
Publications
2018 WYSASSS, Updated by review's book cover ver., 58 pages, Soft cover, 21.0 x 19.0 cm, DOOKS
2017 WYSASSS, 58 pages, Soft cover, 21.0 x 19.0 cm, Edition of 150, DOOKS
Writings
2017 photogenic field ──Daichi Aijima《Photogenic 3D Drawing》, Daichi Aijima “Multitasking"
2013 Here/There/Elsewhere: The Fields in Art after Mono-Ha, Master's thesis, Yokohama National University
2011 Logical Structure Seen in the Redesign Process of Wittgenstein, Graduation thesis, Tokyo University of Science
Reviews
designboom, sato takuma uses transparent acrylic to capture floating stones WYSASSS series, 2018
Gottingham “Halfpipe──WYSASSS as a version”, WYSASSS(Updated by review's book cover ver.), DOOKS, 2017
Yuki Harada “物質としてスケール感を扱う方法”, WYSASSS(Updated by review's book cover ver.), DOOKS, 2017
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